You can even go all the way clockwise to where no pitch correction would be applied leading up to melody notes. Flex-Tune works as a “pitch gate” if you will – the more you turn the knob clockwise, the more freedom in between the actual notes you will get.
This would give you the effect of sliding your hands down a mono-synth, and sounded very unnatural. In earlier versions, when I had to get heavy handed with correcting a… well… a very “expressive” singer as I call it, I would find that when I dug in harder, Auto-Tune would do what its made to do of course, and correct every single note leading to the note the “expressive” singer would be aiming for next.
#Antares autotune 8 faq upgrade#
The Flex-Tune Pitch Correction knob is a huge improvement over version 7, making the upgrade to 8 a no-brainer. Now you can place Auto-Tune 8 on the track allow the singer to either employ Auto-Tune to slightly correct notes or use it at a performance tool. The gap between what the singer is singing and what is coming back to them in the headphones is significantly reduced, giving you the ability to use Auto-Tune during live sessions with no hassles. Low Latency mode is a huge help with this. Even apart from that, there may be times where a person would want to use the Auto-Tune effect as part of their performance when tracking and want to ensure they’re getting the correct results out of the gate. Sometimes when tracking, factors like fatigue, nerves, and becoming a little too immersed in the moment cause vocalists to vary from the straight and narrow. Let’s take a peek under the hood and see what new features we have in version 8.
#Antares autotune 8 faq trial#
I picked up a trial of the Harmony plugin and found it to be more than efficient in creating harmonies. Sorry guys, still no algorithm for chorded instruments and harmonies can either be obtained by copying duplicate tracks using Graphical Mode, or buying the Antares Avox Harmony Plugin. While Auto-Tune is used mainly for vocals, I did find the instrument input type works very well with single note instruments.
Graphical Mode has quite a list of added features we will go over in a little while. Some improvements made to Automatic Mode are the Flex-Tune Pitch Correction Technology and Low Latency Monitoring. All of the same controls made it over from Auto-Tune 7, as well as the Graphical Mode, that allows for complete control over every note and even time in the performance. The interface has been cleaned up quite a bit, moving away from the “late 90’s” look of plugins and into a more modern look. I was surprised by the amount of changes that had been introduced. Although I use Auto-Tune EFX3 (Review HERE) constantly for effects and quick tuning, I hadn’t really tried the full-blown version beyond just a few tests of Auto-Tune 7. You’ll only need an ilok 2 for the license. So why not know what the options are in the new Auto-Tune 8? The improvements might surprise you.Īuto-Tune 8 is available in all the flavors needed for pretty much any DAW and installation is a breeze. Whether you’re on one side, the other, or in the middle chances are if you work in audio, you will have to encounter some form of the tool. Even though other competitors have come along with different approaches, Auto-Tune has remained a household name, even going as far as becoming a scapegoat for purists. In more recent years, the uses of pitch correction have gone from simply a tool to polish up a vocal, to an instrument in its own right.